It is proven in Mary Shelley's Frankenstein that feelings and emotions are felt in any being; whether it be man, creature, or monster. ... He was filled with "a kind of enthusiastic frenzy"(Shelley 149). ... He loved his creation before it became to life. ... Right after the monster came to life the differences between them began. ... (Shelley 35), showed the monster acknowledgement of his creator. ...
Unfortunately, for both Mary Shelley and her monstrous creation, few noble deeds were encountered, and instead, both received ostracism and even hatred from society. ... The Sorrows of Young Werther were important to Mary Shelley in the understanding of her dead mother as they were important to the monster in understanding human emotion. Mary Shelley's mother tried to kill herself due to her unrequited love for Gilbert Imlay, the father of Mary's half-sister, Fanny. ... Mary Shelley would have been aware of this having already read the Memoirs. Thus, Mary Shelley utilized the work,...
In Mary Shelley's novel Frankenstein; The Modern Prometheus there are two notable characters: the scientist Victor Frankenstein, and his creation. ... "(Shelley 120) The creation also suffers tragedy within his own mind. ... "(Shelley 161). ... Every individual faces some sort of pain within their life, but never to the extent that the monster faced. ... Life never got easier for the monster as he was hurt time and time again in every obstacle he was faced. ...
Frankenstein In the literary work Frankenstein by Mary Shelley, Victor the monster's creator, is usually identified as the protagonist. ... This would have never had happened if he wasn't infatuated with the secrets of life, and the urge to create such a being. Throughout the course of his story he struggles losing practically every loved one in his life due to the creature. ... The Creature was then left on his own to experience life. ... His quest in life was for companionship and understanding. ...
