1. Woolf
From the outset, subjective camera techniques inscribe the viewer as complicitious company with a shared horizon of understanding so that eventually the audience has become so complicitous that words are superfluous - Orlando's knowing gaze in the audience's direction suffices to punctuate key moments of the diegesis with shared irony. Thus Orlando's desire and future are always assured in Potter's film, and indeed will come to literary success, a beautiful daughter, and a singing angel who proclaims, "At last I am free. At last, at last, to be free of the past. ... It is ...
- Word Count: 1793
- Approx Pages: 7
- Grade Level: Undergraduate