1. Acting Techniques of Stanislavski
The actor then needs to allow the emotions that they once felt to resurface and to take over their mind; these feelings must then be transferred to the character or script. ... Stanislavski taught that the actors must be consciously aware of their Super-Objective in their mind throughout their rehearsal and performance. ... Stanislavski also called motivation "will" and considered it to be in the subconscious. 'Will' becomes triggered indirectly through emotions or the mind and he believed that an actor was influenced by either their mind or emotions to choose their action...
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