1. Jealousy in Othello
In the play, Othello, by William Shakespeare, the memorable ideas have been presented through dramatic techniques by the characterization of Iago and Othello. ... Through soliloquies, he openly confesses to the audience his plans to deceive Othello where he will get revenge on Othello and "pour pestilence into his ear" (2.3.338). ... In Act five Scene One, Shakespeare uses dramatic action and tension where Roderigo attempts to kill Cassio. ... He conveys a clear perception of Desdemona's innocent nature which makes her vulnerable to his scheming act, "so will I turn her vir...
Just as Iago noted in Act three, scene three, lines one hundred and ninety-five to one hundred and ninety-six, jealousy would be Othello's demise. ... Cassio's conversation with Desdemona at the opening of Act three played right into the hands of Iago. ... Iago subtly plants suspicion in Othello's mind, and unaware as Othello may be, it is all that is needed to fuel his jealousy. ... Honest Iago, the man Othello trusted far beyond a normal realm of trust, pushed Othello into the death trap of suspicion. ... Maybe if he had Othello would have seen the plan Iago had in mind, a...
He was recognized by the American Film industry while he acted on Broadway. ... He won four Academy awards, and was nominated for eleven, including Best Actor for Othello, Henry V, Rebecca, and Wurthering Heights and several other roles he played. Olivier won five Emmy Awards. ... Despite his poor health he continued to act, and made his last television appearance in War Requiem (1988). ...
Tamora and her family goes as far as disguising themselves in act five, scene two and she displays to the reader the revenge she seeks in lines such as: "Thus, in this strange and sad habiliment, I will encounter with Andronicus, and say I am revenge, sent from below to join with him and right his heinous wrong. ... He does have some amazing characterizations, one that stands out from Othello, black Moore created by Shakespeare. ... (Act 4, Scene 2) Then towards the ending of the play he pleads for the son's life and makes a deal with the Romans in order for the survival of his child...
The layout of the stage consisted of five levels. ... However, Shakespeare wrote, produced, and sometimes even acted in his own plays. ... Shakespeare's next great tragedy was Othello, which was a tragedy of jealousy. ... After Othello, Shakespeare wrote Macbeth, a tragedy of ambition (Best). ...
Being his most noteworthy work, The Spanish Tragedy is responsible for the introduction of an abundance of game changing ideals such as "the iambic pentameter, the five act structure, the play within a play, causality, the Machiavellian villain, the soliloquy, the blank verse, and the Revenge Tragedy" (Nance); single handedly opening new doors and paving uncharted roads in Elizabethan Theatre for other writers to follow in the years to come. ... Undoubtedly, Kyd is the one whom these contributions have been relatively attributed to in the world of academia and in the institutionalize...
He told her his feelings toward her "My dearest love" (act I, scene v, l 58). ... Macbeth had decided in order to prove his manhood he must go through with this horrible act. ... (Act V, scene vii, l 9). ... Love is a powerful force and people act irrationally when under its spell. ... Scotland makes accusations through Banquo's soliloquy and the nobles speaking of Macbeth in act five proving their beliefs of murder. ...