His acting company, called The Lord Chamberlain's Men, had great favor with the Queen, and that very year the troupe was in the process of building its own theatre on the south shore of London's Thames River; the theatre would be called the Globe. ... Shakespeare seems to be more interested in developing characters like Rosalind, Orlando, Touchstone and Jacques, through whom he can explore questions of identity, semiotics, self-knowledge and (of course) love. ... He enjoys spending time with Touchstone, because Jaques believes that fools are wise, while wise men are foolish to enjo...

• Word Count: 1477
• Approx Pages: 6
• Grade Level: High School

Although Thomas Kyd may not have a comparably extensive list of well-known works that clutter his resume, he does possess one in particular that is critically important; The Spanish Tragedy. ... In distinguished plays such as Hamlet, one can see traces of Kyd's influence in aspects like that of the Machiavellian character Claudius, Hamlet's play within a play, and the most obvious of all, the fact that Hamlet, in and of itself, is a "Revenge Tragedy". ... Shakespearean characters such as Iago and Richard III are the ones who are primarily envisioned when pondering the essen...

• Word Count: 1285
• Approx Pages: 5
• Grade Level: Graduate

In fact, it is believed that the theme of revenge is also one of the more complicated themes because of whom it involves and how it is brought about by the characters that desire it. The characters of whom I speak of are Fortinbras, son of the late King Fortinbras, prince of Norway; Laertes, son of the late Polonius (Lord Chamberlain to the King) and brother to the late Ophelia; and Hamlet, son of the late King Hamlet, prince of Denmark. ... As one reads on, specifics will arise that will make other similarities apparent as well as shedding some light on the methods and motives behind the afor...

• Word Count: 2387
• Approx Pages: 10
• Grade Level: High School

Relation of religion with "HAMLET" Claudius's murder of King Hamlet, the act catalyzing the drama of the play, is presented as a sin of primordial character and cosmic implications. ... The last scene's condemnation of revenge is made all the more profound by the ironic way in which vengeful characters fall victim to their own devices. ... One of Shakespeare's most characteristic dramatic devices is the multiplication of character types.[12] In Hamlet, he includes a number of avengers. ... Now, sir, young Fortinbras, Of unimproved metal hot and full, Hath in the skirt...

• Word Count: 1931
• Approx Pages: 8
• Grade Level: High School