1. Brecht
(www) In "From A Letter to an Actor" (Brecht, 1964: 235) Brecht speaks of the dangers of the extensive fusion of the actor with his role, leading to the character becoming so natural it becomes impossible for the audience to envision the character in any other way. ... As Brecht himself says, "The actor himself does not become completely transformed on the stage into the character he is portraying." ... The projection of slides onto a screen behind the actor, adds a silent visual comment to the dialogue. ... Fugard aim with this was making audiences aware of degradation and dehumanising of pe...
- Word Count: 1464
- Approx Pages: 6
- Grade Level: Undergraduate