The Hunchback of Notre-Dame In this novel The Hunchback of Notre-Dame (1831), Victor Hugo talks about the life of his characters in the city of Paris. ... There are many examples of Historical Significance in this book. ... This book was a very good book. ... In all the book was an ok book. This book was a good novel after all. ...
The desire to become a writer was what Ray Bradbury had since the age of twelve. From seeing movies to magicians, many things took part in his career decision. He is a writer who has changed the way people view things. Ray Bradbury is a lifetime achiever because he has been interested in writing ...
REVIEW OF THE HOLLYWOOD HISTORY OF THE WORLD In his book, The Hollywood History of the World, George M. ... This is not a dry scholarly study but a witty, droll, and entertaining book in its own right. ... He later contends that The Adventures of Robin Hood and The Hunchback of Notre Dame are near-perfect motion pictures for this period. ... The final chapter of Fraser's book takes his readers to 1996, the year of publication. ... In addition, there are approximately eight years of movies that belong in compilations of this type that released after the print of this book. ...
As Scout falls asleep, she is telling Atticus about the events of The Grey Ghost, a book in which one of the characters is wrongly accused of committing a crime and is pursued. ... We see this in Beauty and the Beast or the Hunchback of Notre Dame. ... One time during the book Jem yells at Scout saying "Don't you know you're not supposed to even touch the house over there? ...
His most famous works include the novels The Hunchback of Notre Dame and the immensely popular Les Miserables, which of course served as inspiration for one of the twentieth century's most popular musicals Les Mis; however, it is his dramatic works, rather than his novels, that incited so much animosity, praise, and even riots. ... John Frey states in his book, A Victor Hugo Encyclopedia, that the preface to Cromwell is the "culmination of Romantic emancipation from the tenets of the French classic dramaturgy- (76). ...
