The mins opens out not only to consider Orlando's previous incarnations within the film, but also the previous incarnation of the film itself, in the form of Virginia Woolf's novel. ... Although coinciding with contemporary modernist writing, Woolf's Orlando has been described as almost specifically written as a screenplay. However parodically, Woolf's Orlando tightens the correlation between gendered subjectivities and social order. ... In attempting to explain the differences between Virginia Woolf's Orlando and her own, Potter states, "So I made various changes wi...

• Word Count: 1793
• Approx Pages: 7
• Grade Level: Undergraduate