1. Sculpture as an Anatomical Reference for Art
"He [Bernini] told me a remarkable thing... if a man bleached his hair, his beard, his eyebrows, and, if it were possible, the pupils of his eyes and his lips, and showed himself in this state to those who were accustomed to see him every day, they would have difficulty in recognizing him." (152) This is referring to the marble process, of course, speaking to its "bleached" white nature. ... In addition to this truth, there is even more distortion in sculpture-making in certain situations: "He [Bertini again] said something even more paradoxical, that sometimes in a m...
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